By Madeleine Klebanoff O’Brien Last summer I conducted independent research at Houghton Library through Harvard’s remote Summer Humanities and Arts Research Program undergraduate fellowship. Inspired by Houghton’s collections, I created an allegorical map of Dante Alighieri’s Divine Comedy. The Comedy follows Dante through Hell, Purgatory and Heaven. It is a cosmography, a “total vision” of…
An “Old Prayer Book”, Yet Not “a ‘dull’ one”: The Liber ordinarius of Nivelles
By Jeffrey F. Hamburger, Department of Art & Architecture, Harvard University Edmund Bishop, the famous historian of Catholic liturgy, once posed the question: “Is the subject ‘An Old Prayer Book’ a ‘dull’ one?” Tongue-in-cheek, he replied that he would prefer the dullest form possible, namely, a tabulation of its contents, adding that “any subject…
A Mysterious Manuscript in a Banned Language
By Christine E. Jacobson, Assistant Curator, Modern Books and Manuscripts, Houghton Library Houghton recently acquired a nineteenth-century bilingual manuscript of Ukrainian and Russian folk songs and verse. At first glance, the work seems unremarkable. At 370 pages, it contains over 120 poems and songs, including well-known works by Alexander Pushkin and Taras Shevchenko as well…
Accessing Archives in the 19th-Century Atlantic World
By Derek Kane O’Leary I have everywhere found Archivists the least competent of human beings to judge of the character or value of historical papers; and if I had not been favored with the aid of higher powers, both in Paris and London, my enquiries would have been to little purpose. There Archivists look upon…
Surprises and Suddenness in Edward Lear
By Noreen Masud, 2018–2019 Houghton Library Visiting Fellow/Eleanor M. Garvey Fellow in Printing and Graphic Arts, and a Leverhulme Early Career Fellow at Durham University. She works on topics including aphorisms, culinary leftovers, flatness, and hymns in nineteenth- and twentieth-century literature. Owls and Pussycats going to sea, Old Men with beards full of birds, Pobbles…
Beauty and Cliché in an Anonymous French Manuscript Score
By Joseph Gauvreau, Ph.D. candidate in Comparative Literature. Joseph was a summer 2018 Pforzheimer Fellow in Harvard Library. Working closely with Christina Linklater (a Houghton music cataloger and keeper of the Isham Memorial Library in the Loeb Music Library), he reported a number of Harvard’s music manuscript holdings to RISM. Joseph’s essay is published in…
An Intimate and Symbolic Bond: Quentin Roosevelt, the Great War, and American-French Relations
By Vincent Harmsen, 2017–2018 Houghton Library Visiting Fellow and recipient of the William Dearborn Fellowship in American History. Mr. Harmsen holds a master’s degree in history from the Sorbonne University, Paris. November 19, 1918 would have been the twenty-first birthday of Quentin Roosevelt, son of Theodore Roosevelt. However, Quentin had died in France a few…
Looking Beyond the Text in Frances Wolfreston’s Books
By Sarah Lindenbaum In the introduction of Marks in Books, Roger Stoddard’s catalogue of his 1984 exhibit on marginalia and other book traces, he writes, “As anthropologists have discovered, traces of wear can tell us how artifacts were used by human beings. Books no less than tools, apparel, and habits can show signs of wear,…
Translated for Action: Gabriel Harvey’s Grammar-Drama
This post was written by Andrew S. Keener, Assistant Professor, Department of English, Santa Clara University. A recipient of the Katharine F. Pantzer Jr. Fellowship in Descriptive Bibliography, Keener was a 2016–2017 Houghton Library Visiting Fellow. The sixteenth-century scholar Gabriel Harvey has fascinated researchers of early modern reading and handwriting for decades, but an investigation…
Summer Spotlight: John Wilkes Booth and the Theatre of Our Discontent
Not all the objects in Houghton Library’s collections have such illustrious, proud histories as a Shakespeare First Folio or Gutenberg Bible. Objects of less reputable association can provide just as striking of an encounter as these treasured relics, however. During the behind-the-scenes tour of Houghton on my first day of work at the library, I…