The Castañé Collection Series: “Four: Ambiguity”

Front facade of Houghton Library

By Michael Austin, Manuscript Cataloger, Houghton Library

For this fourth installment of posts on the Castañé collection of material related to conflicts of the 20th century, held by Houghton Library, I wanted to wrap up our survey of items from the era of the Second World War as shown in parts One, Two, and Three. The collection is incredibly rich in documents, photographs, and objects from this time period, and it would be no difficult matter to run a series of a dozen posts or more on them alone.  However, other conflicts—notably the First World War, the Spanish Civil War, and the Korean War—are also represented, and I intend to comment on items generated during those as well. But as we come to the midway point in this series, I thought an overview of some seemingly disparate items would punctuate our journey through the last century’s most profound cataclysm.

If there has been one lesson that’s been driven home to me as I’ve cataloged these materials and reviewed them for these posts, it is that one constant in history is ambiguity, even though it often takes a very uncomplicated view. When the United States entered the Second World War, its involvement was couched in terms of moral obligation. The losses it and its allies suffered and the extraordinary acts of heroism performed by the armed forces have, over time, become the principal way the war has been memorialized. In the annals of US history, the war was a just, “good” war, with lines clearly drawn in terms of opponents, aims, and results. In fact, as with all human activity, these categories were constantly shifting; the items that I’ve selected to highlight will, I hope, illustrate this reality. The pairs of images that follow illustrate how perceptions and perspectives changed, sometimes abruptly and often radically.

An anti-communist propaganda poster depicts a man stepping on three men, caricatures of Communists and Jews.
Ukranian anti-communist propaganda, ca. 1940-1945. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 41, folder 12). Houghton Library, Harvard University.

Describing a German officer’s photo album in an earlier post, I wrote how the Nazis pushed into Ukraine in the early 1940s, and how in many cases they were greeted as liberators from Soviet oppression. The first item displayed here is a piece of pro-German propaganda, a poster with text translated loosely as follows: “Ukrainians!  Recognize [Soviet] spies [and] partisans. In this way you’ll improve your life.” The top figure is a Ukrainian nationalist, depicted crushing a Soviet soldier, a Communist party functionary, and a caricature of a Jew—a symbol of Bolshevism and “rootless cosmopolitanism.”

German soldiers about to be excuted stand on a scaffold with their Ukranian captors in a public square.
Public hanging of German soldiers in Ukraine [1 of 6 black and white photographs], 1946. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 28, folder 38). Houghton Library, Harvard University.
Contrast the poster with this sobering photograph of Ukrainian soldiers preparing to hang a group of Germans on one of the main avenues in downtown Kiev in 1946. By that point the war was over, and Ukraine was firmly installed as a constituent republic of the Soviet Union.  Executions such as the ones shown here constituted a form of revenge against former enemies and served as a warning against those who might foment resistance to Stalin’s regime. How strange to think that now, 75 years on, the independent nation-state of Ukraine is again a geopolitical shadowland between the West and Russia—with President Putin claiming that he wishes to free Ukraine of “fascist elements.”

The line between friend and foe could be changeable on the American side as well, as historical circumstances dictated. For example, the notion that the US had been implacably opposed to Nazi Germany since Hitler rose to power in 1933 is a figment of cultural amnesia. In fact, at this time a sizeable segment of the American population either actively supported Hitler’s policies or were indifferent to them; furthermore, memories of the horrors of the First World War were still fresh, and many dreaded being dragged into another European conflict. Thus, there was strong agitation for neutrality in the US as Germany inched ever closer to a conflagration with its neighbors, as shown by these political-action buttons from 1939.

A cardboard card holds 24 lapel buttons. The card and each button have a US map with the words "Keep U.S. Out of War" and the card advises to "Wear a Button" and "Stay Neutral."
American neutrality buttons, 1946. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 83, folder 2). Houghton Library, Harvard University.

The attack on the naval base at Pearl Harbor, Hawaii in December 1941 unified the US against Japan. As a result, Nazi Germany—Japan’s ally under the Tripartite Pact—declared war on the US, thereby mooting any domestic debate regarding entry into the conflict.

However, the United States found ways to make use of Nazis who fell under its sway. Consider the case of Wernher von Braun, shown in this photo circa 1950. Braun, a German rocket scientist who invented the V-2 rocket that wreaked much havoc in Britain and Belgium, was a committed Nazi and SS member. When captured by American forces in May 1945, he lied about his place and connections in the German bureaucracy. The Americans quickly discovered who and what he was, but he was nevertheless deemed an asset and spirited to the US to help develop rockets for the military and the space race against the Soviets. It seems that America was more than happy to employ Nazis—even those as deeply compromised as von Braun—when it was advantageous to do so.

A photograph depicts Wernher Von Braun standing in a wood-paneled study behind a globe on a stand.
Wernher Von Braun [1912-1977], black and white photo ca. 1950-1960. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 30, folder 35). Houghton Library, Harvard University.
The vicissitudes of American views towards Germany are mirrored by those towards the Soviet Union. Consider the strong neutrality movement in the US before 1941, then the gung-ho anti-German sentiment after Pearl Harbor, followed at war’s end by the Marshall Plan, an effort to prop up the West German government and to reconstruct that part of the country under a western-capitalist sphere of influence. Post 1945, the US’s erstwhile ally, the Soviet Union, took on in the popular imagination the contours of evil previously assigned to Germany as the West’s efforts to contain global communism evolved into the Cold War. In the 1920s and 30s, there had been much resonance in the United States with the struggles of the Soviet proletariat to construct a perfect socialist state, deformed though it was by the policies and personality of Joseph Stalin. The Communist Party of the United States had enough support to field presidential candidates on three occasions, as the following image from 1936 shows. (Note: James W. Ford was the first African-American in the 20th century to run on a presidential ticket.)

A postcard depicts an American and Soviet flag crossed in between presidential candidates from the US Communist Party. Portraits of each man are flanked by drawings of a factory worker and a farmer; below are three images: the US Revolutionary War, Abraham Lincoln at Gettysburg, and a parade of members of the Farmer-Labor Party. A banner at the top of the postcard reads "For a free, happy, prosperous America"; the botton reads "Communism is the Americanism of the 20th Century."
Blank postcard, 1936. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 21, folder 52). Houghton Library, Harvard University.

Contrast this with a photograph from New York in 1951 showing protestors demonstrating against a visit by Soviet foreign minister Andrei Gromyko. Throughout the war the Soviets had been popularly depicted as America’s staunchest friends in the battle against fascism, but by this point the Cold War was in full swing, and the notion of an American communist party running in an election at any level of government would have been inconceivable. What a difference a war and 15 years make…

A group of sign-carrying protestors, mostly women, march against communism.
New York City protestors, black and white photo, 1951. José María Castañé collection of 20th century war-related manuscripts, photographs, and objects, circa 1898-1990 (MS Span 185, box 30, folder 17). Houghton Library, Harvard University.

Ambiguity, then: ambiguity in regard to ethics, and ambiguity surrounding agendas, both hidden and stated. Ethics, it would appear, are frequently situational; we rationalize them to suit ourselves or those in power.

In closing this section of the blog series relating to the Second World War, I reiterate that I have purposely chosen to focus on the small, the quotidian, the mundane—in short, items that many readers might consider unremarkable. I’ve done this in order to highlight the heroism and suffering of the everyday citizens, warriors, and victims involved in the conflict—on both sides—and to show that the political and military leaders were, at bottom, normal people who had been tasked with responsibilities of world-historical importance by virtue of the positions into which destiny had placed them.

Editor’s note: The Castañé collection contains thousands of items, many unpublished, that will reward researchers who delve into it. Although the reading room at Houghton Library is currently closed, we maintain a page to introduce interested parties to the collection’s breadth. Additionally, some of the images have been digitized and can be viewed from anywhere, such as these from the general collection (MS Span 185).