By Dale Stinchcomb, Assistant Curator of the Harvard Theatre Collection, Houghton Library Even for a dance company as innovative as the Ballets Russes, the staging of “Les Noces” (“The Wedding”) in 1923 was a radical leap forward. Bronislava Nijinska’s raw evocation of a peasant wedding has been called feminist in its portrayal of a bride…
Month: February 2020
