Friday, April 12th
Harvard-Yenching Common Room (2 Divinity Ave)
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Introductory Remarks 9:30–9:45
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Panel 1 (10:00–12:00) Thinking through Performance
Chair: David Wang (Harvard)
- Thomas Kelly (Harvard), “Writing Evanescence: Pan Zhiheng’s Essays on Acting”
- Ling Hon Lam (UC Berkeley), “In Search of Bad Singing: A Disarticulation of the Automaton, or a Mathematical Critique of ‘Self-So’ Cosmology”
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Break (12:00–1:00)
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Panel 2 (1:00–3:00) Performance as Method in Song and Oral Storytelling
Chair: Si Nae Park (Harvard)
- Patricia Sieber (OSU), “Surprise as Method: Performance Aesthetics in Yuan Sanqu Songs”
- Canaan Morse (BU), “The Image of the Book and the Performance of Reading in The Drunken Man’s Talk and the Early Huaben”
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Panel 3 (3:30–5:30) Performing Spectatorship
Chair: Wai-yee Li (Harvard)
- Yinghui Wu (UCLA), “Pan Zhiheng’s Connoisseurial Experience and the Aesthetics of Contingency”
- Ming Tak Ted Hui (Oxford), “Vocal Imaginaries: Connoisseurship of the Operatic Voice in the 16th Century”
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Saturday, April 13th
Harvard-Yenching Common Room (2 Divinity Ave)
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Panel 4 (9:30–12:30) Translation Workshop
Judith Zeitlin (UChicago), Yiren Zheng (Dartmouth), and Tom Kelly will lead a group discussion of essays by Pan Zhiheng 潘之恆 (1556–1622) on acting, singing, and theater.
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Break 12:30–2:00
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Panel 5 (2:00–4:00) Theater and Theatricality
Chair: Catherine Yeh (Boston University)
- Guojun Wang (McGill), “Bibliography as Critique: Cataloging and Categorizing Drama in Premodern China”
- Kangni Huang (Harvard), “Rethinking Meta-Theater: From Wu Bing to Jiang Shiquan”
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Roundtable (4:30–5:30) New Directions