Workshop: Networked Modular Performance

Abstract

This electronic music workshop focuses on the role of networked communication protocols for performing and improvising with modular synthesizers in an ensemble. Historically, modular synthesizers were only accessible to rich and famous musicians or universities due to their high cost. However, with the development of the smaller, cheaper eurorack format, it became possible to build multiple identical systems for classroom use. At Berklee College of Music, the Electronic Production and Design department has established a sound synthesis lab equipped with seven identical modular synthesizers, each with a MOTU AVB interface that provides the ability to share audio and control signals over a low latency digital audio network.

Working with modular synthesizers emphasizes a hands-on approach to synthesis, with performers working with their hands using patch cables and dedicated knobs to produce sound with physical gestures. Unlike traditional ensembles, there are no pre-assigned roles, and any performer can alter the output level, change the tempo, or take control of the pitch and harmony of the ensemble. The result is a highly democratic and collaborative approach to music creation, with the advantage of a shared harmonic framework that can be determined on the fly.

Performing with modular synthesizers presents some unique challenges, such as the time-consuming process of patching and the lack of gestures that the audience inherently understands. This workshop will cover some of the tools and techniques to overcome these limitations and create compelling musical performances

Biography

Matthew Davidson is an Associate Professor in the Electronic Production and Design (EPD) department at Berklee College of Music in Boston Massachusetts. As the course coordinator for the sound synthesis curriculum, Matthew is responsible for shaping the future generation of music producers and designers. With over 20 years of experience, he has established himself as a sound designer and musical instrument consultant, working with renowned brands such as MOTU, Ableton, Cycling 74, and Univers Sons.

Matthew’s contributions to the music industry are significant, as he is the creator and primary author of BEAP, the music synthesis tool used at Berklee. He is also known for developing several applications for the monome, an open-source music controller. Matthew’s musical works have been featured on nationally-syndicated shows like ‘Echos’ and ‘Hearts of Space’, as well as on National Public Radio (NPR), Public Radio International (PRI), and satellite radio.

Aside from his academic career, Matthew has also released numerous albums and sample libraries. His expertise and passion for music have made him a sought-after sound designer for commercial instruments.