Kimberley Moulton is a Yorta Yorta First Nations woman from Australia based in Melbourne and London. She is Adjunct Curator Indigenous Art Tate Modern and Senior Curator at RISING, Melbourne’s international arts festival. Kimberley is a respected creative practitioner in her field through her innovative curatorial and writing practice with a focus on developing new approach to anti-colonial and community centred curatorial practice. Dedicated to new methodology and Indigenous led research her work has transformed spaces of the historical archive and contemporary art, and is based on relationships and critically looking at art and museum histories through a First Peoples perspective. Working with knowledges, histories, and futures at the intersection of collections, place, memory, community and contemporary practice her work aims to rethink global art histories and extend what exhibitions and research in and out of institutions can be for Indigenous communities. Her recent work includes co-curated Tri-nations Triennial Naadohbii: To Draw Water (2021-2023 Winnipeg Art Gallery, Melbourne Museum, Pataka Art + Museum), More Than A Tarrang (tree): Memory, Material and Cultural Agency (2023, Melbourne Museum) and the highly acclaimed exhibition Shadow Spirit (2023, RISING, Historic Flinders Street Station Melbourne) and The Blak Infinite (2024 RISING). She is a PhD candidate in curatorial practice at Wominjeka Djeembana Research Lab Monash University Melbourne, Deputy Chair of the Board Shepparton Art Museum and Director on the Board for the non-for-profit Adam Briggs Foundation. Kimberley is Curator Emeritus Museums Victoria and curator for the 2025 TarraWarra Biennial.